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<channel>
	<title>HEATHER PEAK AND IVAN MORISON</title>
	<link>https://peakmorison.org</link>
	<description>HEATHER PEAK AND IVAN MORISON</description>
	<pubDate>Wed, 26 Jun 2024 14:06:32 +0000</pubDate>
	<generator>https://peakmorison.org</generator>
	<language>en</language>
	
		
	<item>
		<title>ARTISTS PHOTOS</title>
				
		<link>https://peakmorison.org/ARTISTS-PHOTOS</link>

		<pubDate>Thu, 29 Sep 2022 13:29:38 +0000</pubDate>

		<dc:creator>HEATHER PEAK AND IVAN MORISON</dc:creator>

		<guid isPermaLink="true">https://peakmorison.org/ARTISTS-PHOTOS</guid>

		<description>
	
	
	



	
	NOBODY LIVES BY THE GRID_A PUBLIC ART COMMISSION FOR OAKGROVE MILTON KEYNES 
	
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	</item>
		
		
	<item>
		<title>INTRODUCTION</title>
				
		<link>https://peakmorison.org/INTRODUCTION</link>

		<pubDate>Thu, 29 Sep 2022 15:04:37 +0000</pubDate>

		<dc:creator>HEATHER PEAK AND IVAN MORISON</dc:creator>

		<guid isPermaLink="true">https://peakmorison.org/INTRODUCTION</guid>

		<description>INTRODUCTIONThis simple blog charts the process of the development of a public art project for Oakgrove, an area of Milton Keynes, by the artists Heather Peak and Ivan Morison. 

	 The page begins with the very first thoughts about the commission and will continue through the development process charting conversations, activities, ideas and designs, fabrication, installation and early uses of the artwork. 

	The page is intended as a point of reference and recap for those involved in the process and others interested in it. Something like an occasional visual diary, blog and artists notebook.
Above images: medium format research images of Oakgrove and Milton Keynes by the artists
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	</item>
		
		
	<item>
		<title>STARTING POINT</title>
				
		<link>https://peakmorison.org/STARTING-POINT</link>

		<pubDate>Thu, 29 Sep 2022 15:12:47 +0000</pubDate>

		<dc:creator>HEATHER PEAK AND IVAN MORISON</dc:creator>

		<guid isPermaLink="true">https://peakmorison.org/STARTING-POINT</guid>

		<description>

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	STARTING POINT 
The commissioners aims and objectives of the project:

To develop and deliver a permanent public art commission, which is inspired by and specific to Oakgrove as a place and as a community.&#38;nbsp; 

To work closely with commissioning partners and Oakgrove residents in the development of commission ideas

To explore the green landscape within and around Oakgrove and consider how best to make connections, encourage recreation, exercise and community well-being

To investigate the rich heritage of the local area and surrounding villages and consider how this might be reflected and celebrated within the final commission.&#38;nbsp; 

To engage the community in the process and ensure this inform the commission ideas

To work respectfully within the existing public realm, taking into consideration any existing constraints and sensitivities.&#38;nbsp; 

To work with the highest quality materials and fabrication processes, with a life span of 25+ years

	



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	<item>
		<title>STEP 1</title>
				
		<link>https://peakmorison.org/STEP-1</link>

		<pubDate>Thu, 29 Sep 2022 16:12:40 +0000</pubDate>

		<dc:creator>HEATHER PEAK AND IVAN MORISON</dc:creator>

		<guid isPermaLink="true">https://peakmorison.org/STEP-1</guid>

		<description>
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	STEP 1

The artists were asked to spend time on site and then to present their thoughts and possible ways forward to the projects steering group. Here is a summary by the artists of what was shared.

	



	
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WHAT WE SEE
The movement of people 
The sense of belonging 
The winding course of the rivers through the city
The stone of ancient churches and the thatch of cottages
The indent in the landscape of medieval fish ponds
The distorted city grid
The mesh of green walkways and cycle routes
The layering of history and place

The circle, slab, triangle and grid of the modernist project

The wonderfully varied range of inspirations of the city’s early planners – from weaver bird nests and shell formations to Bauhaus and communicating with aliens.

It has a long history

It is a place in the making



	



	
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WHAT WE DO

Our focus in this project is to create new connections:

Between residents and residents

Between families, adults and kids

Across neighbourhoods

Between residents and nature

Between people and their built environment

Between audiences and the artworks
	
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	HOW WE DO IT
We approach the engagement with a focus on connecting people to people, people to ideas, ideas to place.
By creating a research group of interested people
By going on a creative journey through shared research and inspiration, off site visits to other art projects, creative conversations.
Collectively devise and deliver a series of wider creative community activities. 
The final design of the work will come out of the learning gaimned from the engagement process.

	

</description>
		
	</item>
		
		
	<item>
		<title>STEP 2</title>
				
		<link>https://peakmorison.org/STEP-2</link>

		<pubDate>Thu, 08 Dec 2022 11:24:10 +0000</pubDate>

		<dc:creator>HEATHER PEAK AND IVAN MORISON</dc:creator>

		<guid isPermaLink="true">https://peakmorison.org/STEP-2</guid>

		<description>

	
	STEP 2

The artists introduced their past work and their ideas for a new work for Oakgrove to community members, gathering interested people to be a part of the creative journey.

	



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&#60;img width="1280" height="1277" width_o="1280" height_o="1277" data-src="https://freight.cargo.site/t/original/i/7f28aeed8162967a66c3f2f0dc0042f8feecd5926d9c3cea10b19cb15e562458/oakgrove-step-2---2.jpeg" data-mid="161366237" border="0"  src="https://freight.cargo.site/w/1000/i/7f28aeed8162967a66c3f2f0dc0042f8feecd5926d9c3cea10b19cb15e562458/oakgrove-step-2---2.jpeg" /&#62;
&#60;img width="720" height="1280" width_o="720" height_o="1280" data-src="https://freight.cargo.site/t/original/i/49d42b72edada63f4ff0c82ea47decbd5afcf37de720a9386a8e7d691a92b085/oakgrove-step-2---3.jpeg" data-mid="161366236" border="0"  src="https://freight.cargo.site/w/720/i/49d42b72edada63f4ff0c82ea47decbd5afcf37de720a9386a8e7d691a92b085/oakgrove-step-2---3.jpeg" /&#62;



	
	Next the artists held a day long workshop with sixth former art students at Oakgrove School. 
	




	
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OBJECTIVES

The objectives for the day were:

To explore the Oakgrove area to identify possible places for the future artworks

To understand why we might want to put a sculpture in the public realm

To find forms and materials that are present within the local built environment

To explore simple manipulation of materials and sculptural form finding

To think of forms and materials that are not in the local built environment, but are opposite, or complimentary or unexpected or welcomed

To find ideas and thoughts that are present within the local community

To think of ideas and thoughts that are not in the local community, but are opposite, or complimentary or unexpected or welcomed

To explore what a social sculpture is, what social networks are present within this community, and how we might use this art commission to sculpt them

To search for the blind spot within the community, the hidden truth&#38;nbsp; 



	



	


	
	PREPARATION

In preparation for the workshop the students were given these instructions:

&#38;nbsp;Look through the books that have been sent to the school in advance of the workshop

Using your phones take pictures around Milton Keynes of one type of shape you see recurring in architecture, in street scenes, indoors or in nature. Organise your photos into a short selection (three to five images) to show during the workshop.

Using your phones take pictures around Milton Keynes of colours, patterns and/or materials that particularly stand out to you in the architecture, in street scenes, inside homes or buildings, in peoples clothing or in nature. Organise them into a short selection (three to five images) to show during the workshop. 

Look around Oakgrove and take a single picture of where you think the addition of a new artwork would be good. Think about if it would make a good place to gather, if there is space for it to be seen - it may enliven a boring spot or offer a place to rest on a busy corner etc

Actively listen to what people around you are talking about, try to understand the mood, look for what isn’t there

&#38;nbsp;Find / choose something you can fit in your hand and bring it with you. Nice if it incorporates any of the characteristics you have noticed in the things you have done above.



	




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&#60;img width="1058" height="1280" width_o="1058" height_o="1280" data-src="https://freight.cargo.site/t/original/i/655019095f90ab95a639bcb511304034b765e12dbaaa9e8142ff04f47b47ebdf/oakgrove-step-2---9.jpeg" data-mid="161366228" border="0"  src="https://freight.cargo.site/w/1000/i/655019095f90ab95a639bcb511304034b765e12dbaaa9e8142ff04f47b47ebdf/oakgrove-step-2---9.jpeg" /&#62;



	


	

 




	
PROCESS

During the workshop we explored some fast and effective paper manipulation techniques to create sculptural form and looked at other artists work to see the influence of this sort of thing in bigger more permanent artworks. We spent time looking through the preparatory work they had done, discussed their perspectives on Oakgrove, what they saw, what they liked, the general vibe of the place, and what would be good if it changed. We then looked at how objects can hold meaning and value, and how we can play with this, through object theatre, through the words we put around them and by how we arrange them and the context we put them in. We then cleared our minds and did some freestyle creation, made up some titles, and finished with a chat about when we would like to meet again to look at how the commission has moved on. 


	


	


&#60;img width="1259" height="1280" width_o="1259" height_o="1280" data-src="https://freight.cargo.site/t/original/i/e7be9fa74c636867da6be63e1d48a869a1e35568f661c13a9e147faccde47171/oakgrove-step-2---22.jpeg" data-mid="161366403" border="0"  src="https://freight.cargo.site/w/1000/i/e7be9fa74c636867da6be63e1d48a869a1e35568f661c13a9e147faccde47171/oakgrove-step-2---22.jpeg" /&#62;
&#60;img width="1280" height="831" width_o="1280" height_o="831" data-src="https://freight.cargo.site/t/original/i/5a7c5e35cb4098c1411e54b8d2bd059234b7d6bc9d03999b4b85fa673b343c04/oakgrove-step-2---23.jpeg" data-mid="161366402" border="0"  src="https://freight.cargo.site/w/1000/i/5a7c5e35cb4098c1411e54b8d2bd059234b7d6bc9d03999b4b85fa673b343c04/oakgrove-step-2---23.jpeg" /&#62;
&#60;img width="1280" height="642" width_o="1280" height_o="642" data-src="https://freight.cargo.site/t/original/i/9c8f10b9b6aea9948026eec778de699bace31b6299a7290b7e0b3d396f60e10e/oakgrove-step-2---20.jpeg" data-mid="161366405" border="0"  src="https://freight.cargo.site/w/1000/i/9c8f10b9b6aea9948026eec778de699bace31b6299a7290b7e0b3d396f60e10e/oakgrove-step-2---20.jpeg" /&#62;
&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/18af97debb09a9480a8582a5f143ab85604752121d5e7a5900db09c1d420c59e/oakgrove-step-2---19.jpeg" data-mid="161366406" border="0"  src="https://freight.cargo.site/w/960/i/18af97debb09a9480a8582a5f143ab85604752121d5e7a5900db09c1d420c59e/oakgrove-step-2---19.jpeg" /&#62;

	OBSERVATIONS

Here are some observations that were made by the students during the workshop: People never look up; there is a lot of wood cladding; the pallet of colours in the area is very dull; for a new artwork we need materials and colours that contrast - either super modern or super high quality; places to gather; a work could have many parts spread around the area; the work could be a story - a cast of lost characters; there are sometimes strange patterns in the brickwork on the houses; if you chip off some brick and look really close you see great variety and pattern within the detail – a polka dot pattern of many colours; pattern; in small objects found around Oakgrove there were materials like iron ore with its orangey blackness and strange natural circular shapes, and well as bits of discarded brick that had incidental fingertip sized holes that were very smooth in contrast to the roughness of the rest of the surface; texture; the roughness and smooth finger sized curved section of a piece of brick; scale; when we made things from marble patterned origami paper we wondered what these things might be like made big out of marble; materials; sentinels around Oakgrove; figurative characters with abstract sculpture; narrative; a mix of things being themselves and things made into other things - the rock as the rock and folded and painted metal being a piece of paper; a box; a colourful decorated elephant from elsewhere; a few titles - (Un)found family, Other mother, Tsunami, Connected,&#38;nbsp;Shell-ter,&#38;nbsp;The Base,&#38;nbsp;Shelter of Society; the function of the work might not be to lift people out of the everyday, but simply to pull people back to the everyday from their phones and their thoughts. 
	



	
	&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/878ec7548b70e0456edfeb880e19bb93e874b4cffa3900b542d7902e999c5624/oakgrove-step-2---18.jpeg" data-mid="161366399" border="0"  src="https://freight.cargo.site/w/960/i/878ec7548b70e0456edfeb880e19bb93e874b4cffa3900b542d7902e999c5624/oakgrove-step-2---18.jpeg" /&#62;
	


</description>
		
	</item>
		
		
	<item>
		<title>STEP 3</title>
				
		<link>https://peakmorison.org/STEP-3</link>

		<pubDate>Wed, 04 Oct 2023 17:00:20 +0000</pubDate>

		<dc:creator>HEATHER PEAK AND IVAN MORISON</dc:creator>

		<guid isPermaLink="true">https://peakmorison.org/STEP-3</guid>

		<description>
&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/4d1f649f5e90eba597d39d8a318e9250498d85ada641dce71c633765f0c59c98/MK.grid.part3---2.jpeg" data-mid="192741280" border="0"  src="https://freight.cargo.site/w/960/i/4d1f649f5e90eba597d39d8a318e9250498d85ada641dce71c633765f0c59c98/MK.grid.part3---2.jpeg" /&#62;
&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/61d0a6b9969be95865b943413b07937606c4906a4e13674988f557d014412712/MK.grid.part3---4.jpeg" data-mid="192741282" border="0"  src="https://freight.cargo.site/w/960/i/61d0a6b9969be95865b943413b07937606c4906a4e13674988f557d014412712/MK.grid.part3---4.jpeg" /&#62;


	
	

STEP 3

The artists developed a series of ideas, references and possibilities, and presented them to the steering group. 

At the meeting the artists presented a wide variety of possible forms and ideas. There was consensus that a series of works throughout the linear park would be something we might want to aim for.

Next steps will be to locate possible sites within the park, make specific sculptural responses to these sites, reconnect with the community, and begin to reach out to fabricators.

Included here are some images of the forms, drawings, and reference imagery from this meeting.

	



	
&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/4e1ec120122bf60b58cd97095134aee83f1d772beb2cc570d323ba717bd6b2ae/MK.grid.part3---1.jpeg" data-mid="192741279" border="0"  src="https://freight.cargo.site/w/960/i/4e1ec120122bf60b58cd97095134aee83f1d772beb2cc570d323ba717bd6b2ae/MK.grid.part3---1.jpeg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/d43ba9c22463ca8108855339a4dc544a016e4dc2a475998948f50a1aa5b31c34/MK.grid.part3---9.jpeg" data-mid="192741287" border="0"  src="https://freight.cargo.site/w/1000/i/d43ba9c22463ca8108855339a4dc544a016e4dc2a475998948f50a1aa5b31c34/MK.grid.part3---9.jpeg" /&#62;

	
HERE IS A LIST OF POSSIBLE MATERIALS AND HOW WE COULD USE THEM:
STONE
slabs, stools, columns
slabbed, turned, squared, polished, scooped, carved, rough

TIMBER
stools, masks, logs
carved / cast in cast iron or bronze / natural

CLAY
totems
fired / cast in bronze or cast iron

MUD
wall
rammed, left to slowly change

FLINT + CHALK
wall
rammed

BRONZE
totems, masks, objects
casts of clay sculpted forms and found objects

CAST IRON
stools, masks, totems
casts of wood

CONCRETE 
slabs, planks, bearers, plinths
textured formwork, cast, rough, smooth, polished, aggregates, terrazzo, coloured

THATCH
roof
straw, reed, heather

LIME
mortar / limecrete

MARBLE
worms
sculpted, smooth

HAWTHORNE



	



	
&#60;img width="1280" height="961" width_o="1280" height_o="961" data-src="https://freight.cargo.site/t/original/i/c09ee67ffa91990c273892c9ee323fefff31937121702c12b46e3e06d9ec9bdc/MK.grid.part3---7.jpeg" data-mid="192741285" border="0"  src="https://freight.cargo.site/w/1000/i/c09ee67ffa91990c273892c9ee323fefff31937121702c12b46e3e06d9ec9bdc/MK.grid.part3---7.jpeg" /&#62;
&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/2de6fbb91fff14d05b39ffdce28fb9c98d583271390750935a3287e3b126a972/MK.grid.part3---6.jpeg" data-mid="192741284" border="0"  src="https://freight.cargo.site/w/960/i/2de6fbb91fff14d05b39ffdce28fb9c98d583271390750935a3287e3b126a972/MK.grid.part3---6.jpeg" /&#62;
&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/cb9a27c7c539dc835d9a4b34e7e18ee08278c83a22361ec60373f040a286af99/MK.grid.part3---5.jpeg" data-mid="192741283" border="0"  src="https://freight.cargo.site/w/960/i/cb9a27c7c539dc835d9a4b34e7e18ee08278c83a22361ec60373f040a286af99/MK.grid.part3---5.jpeg" /&#62;



	
	

HERE IS A LIST OF POSSIBLE THEMES:

LIGHT
moonlight, sunlight, reflection, shimmer, shadow, solstice, 

TEMPORALITY
time, wear, growth, surface, change

MATTER
transformation, surface, warmth

RITUAL
connection, function, animism, community, practice, presence 

ECOLOGICAL
relations, entanglement
	
&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/dcf81d92c3391e6fd4225fb46479d26fb77f3496f64b9d96d9e0f9f34dbe76e9/MK.grid.part3---3.jpeg" data-mid="192741281" border="0"  src="https://freight.cargo.site/w/960/i/dcf81d92c3391e6fd4225fb46479d26fb77f3496f64b9d96d9e0f9f34dbe76e9/MK.grid.part3---3.jpeg" /&#62;



	


	

 




	HERE IS A LIST OF DIFFERENT IDEAS THAT COME TO MIND WHEN CONSIDERING THE COMMISSION:
Walls that decay slowly

Materials that encourage change

Matter that encourages growth

Forms that hold new matter

Pools of water

The sense of connection and care from a hand sculpted object

Rough timber and clay sculpted busts and masks and vessels

Busts masks and vessels cast in cast iron (for timber) and bronze (for clay and found objects)

Discs, the sun and the moon, eyes, as scoops, pools, holes and cylinders

A collection of forms, the slab, cylinder, hole, plank, wedge, cone, worm, column, plinth

Low slabs with holes and worms and pools of water

High slabs as long tables, with marble creature like worm resting on it

Long rammed wall, that slowly reveals the flint and aggregates, as it rounds, and softens

A long table with a gently aging thatch roof above

Dispersed objects and forms for reflection and rest, to be visited like the stations of the cross

Pilgrimage routes, walking meditation, labyrinths, a breadcrumb trail of forms

Stone that gathers water and lichen

Smooth marble

Cast iron the rusts

Patterned polished puddingstone, and terrazzo of natural rocks

Crevices that allow matter to gather and animals to live

Things that grow


&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/4435b71f8d6f0445b81d30243649d73c516f3275642585c5203a3ec4f7f92b2f/MK.grid.part3---10.jpeg" data-mid="192741288" border="0"  src="https://freight.cargo.site/w/1000/i/4435b71f8d6f0445b81d30243649d73c516f3275642585c5203a3ec4f7f92b2f/MK.grid.part3---10.jpeg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/bd396823139379cc2083595192cc9caeffb3117be4065cef05843e3fcdb28a0f/MK.grid.part3---8.jpeg" data-mid="192741286" border="0"  src="https://freight.cargo.site/w/1000/i/bd396823139379cc2083595192cc9caeffb3117be4065cef05843e3fcdb28a0f/MK.grid.part3---8.jpeg" /&#62;


	

</description>
		
	</item>
		
		
	<item>
		<title>STEP 4</title>
				
		<link>https://peakmorison.org/STEP-4</link>

		<pubDate>Wed, 26 Jun 2024 14:06:32 +0000</pubDate>

		<dc:creator>HEATHER PEAK AND IVAN MORISON</dc:creator>

		<guid isPermaLink="true">https://peakmorison.org/STEP-4</guid>

		<description>

	
	STEP 4
Workshops
Between November 2023 – April 2024 we ran a series of drawing workshops.

Residents were sent a postcards to inform them of the details of each of the events. Each time the design for the front of the postcard featured an image from participants of previous workshops. 


	



&#60;img width="913" height="1280" width_o="913" height_o="1280" data-src="https://freight.cargo.site/t/original/i/6728f9cbeae884d297795f2cf02c1256014aff35f8a2caf74ea7effb87863288/drawing---1.jpeg" data-mid="213653381" border="0"  src="https://freight.cargo.site/w/913/i/6728f9cbeae884d297795f2cf02c1256014aff35f8a2caf74ea7effb87863288/drawing---1.jpeg" /&#62;
&#60;img width="960" height="1280" width_o="960" height_o="1280" data-src="https://freight.cargo.site/t/original/i/3d8f55c348767388fa50c8d062ab10478a78fc5dd6561e0418f319c9b250f56a/drawing---2.jpeg" data-mid="213653383" border="0"  src="https://freight.cargo.site/w/960/i/3d8f55c348767388fa50c8d062ab10478a78fc5dd6561e0418f319c9b250f56a/drawing---2.jpeg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/274ab829b859ea3331756ddc1603cfa33d1f8b45dcc1508bd285fb870b62facb/drawing---1-1.jpeg" data-mid="213653380" border="0"  src="https://freight.cargo.site/w/1000/i/274ab829b859ea3331756ddc1603cfa33d1f8b45dcc1508bd285fb870b62facb/drawing---1-1.jpeg" /&#62;





	
&#60;img width="1828" height="1820" width_o="1828" height_o="1820" data-src="https://freight.cargo.site/t/original/i/88c3e64b240786c11927b7c7b5db6f6e428039a88e9836c4a1ab5a4529ffe7c7/Oakgrove-flier-March-1.jpg" data-mid="213653389" border="0"  src="https://freight.cargo.site/w/1000/i/88c3e64b240786c11927b7c7b5db6f6e428039a88e9836c4a1ab5a4529ffe7c7/Oakgrove-flier-March-1.jpg" /&#62;
&#60;img width="1374" height="1351" width_o="1374" height_o="1351" data-src="https://freight.cargo.site/t/original/i/9d8a90c8aa3edd3642ba6677daede56a43c1d2a6b15adecee354fab239f71c28/Oakgrove-flier-Jan--Feb--1.jpg" data-mid="213653388" border="0"  src="https://freight.cargo.site/w/1000/i/9d8a90c8aa3edd3642ba6677daede56a43c1d2a6b15adecee354fab239f71c28/Oakgrove-flier-Jan--Feb--1.jpg" /&#62;
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/0570849ea3136118858555e041c343c16e6526f981c4c2ffa4a0712b367c2270/drawing---2-1.jpeg" data-mid="213653382" border="0"  src="https://freight.cargo.site/w/1000/i/0570849ea3136118858555e041c343c16e6526f981c4c2ffa4a0712b367c2270/drawing---2-1.jpeg" /&#62;

	



The drawing workshops happened in local schools and community centres, out around Oakgrove and in the parklands. The workshops were for adults and children and explored how drawing could allow us to see the places we live through new eyes.





	
	&#60;img width="1819" height="1819" width_o="1819" height_o="1819" data-src="https://freight.cargo.site/t/original/i/be305d4daa3ef449a23aeca7f0df0455766d0f96978e73a79c256637ff15f868/Oakgrove-flier-December-1.jpg" data-mid="213653387" border="0"  src="https://freight.cargo.site/w/1000/i/be305d4daa3ef449a23aeca7f0df0455766d0f96978e73a79c256637ff15f868/Oakgrove-flier-December-1.jpg" /&#62;

	





</description>
		
	</item>
		
		
	<item>
		<title>STEP 5</title>
				
		<link>https://peakmorison.org/STEP-5</link>

		<pubDate>Wed, 26 Jun 2024 14:06:11 +0000</pubDate>

		<dc:creator>HEATHER PEAK AND IVAN MORISON</dc:creator>

		<guid isPermaLink="true">https://peakmorison.org/STEP-5</guid>

		<description>
&#60;img width="1981" height="1431" width_o="1981" height_o="1431" data-src="https://freight.cargo.site/t/original/i/93f1822a25e57bfc7695c637aada45e3b2b1a6b29366c0e8952a55ceb8287cce/pillars.01_Page_17.jpg" data-mid="213649470" border="0"  src="https://freight.cargo.site/w/1000/i/93f1822a25e57bfc7695c637aada45e3b2b1a6b29366c0e8952a55ceb8287cce/pillars.01_Page_17.jpg" /&#62;
&#60;img width="3409" height="2240" width_o="3409" height_o="2240" data-src="https://freight.cargo.site/t/original/i/978bd6c0e670f0b454025d5c1ef601d362fa84627b6d65114fe2d06b08b659c1/pillars.01_Page_10.jpg" data-mid="213649468" border="0"  src="https://freight.cargo.site/w/1000/i/978bd6c0e670f0b454025d5c1ef601d362fa84627b6d65114fe2d06b08b659c1/pillars.01_Page_10.jpg" /&#62;


	
	

STEP 5
Planning permission has now been approved for the proposal.

	



	
&#60;img width="5259" height="3470" width_o="5259" height_o="3470" data-src="https://freight.cargo.site/t/original/i/9d1cf3793ad13a3788d6ccd0afe421e6c4eed168533b93f2f2b927e378c1480b/pillars.01_Page_06.jpg" data-mid="213649466" border="0"  src="https://freight.cargo.site/w/1000/i/9d1cf3793ad13a3788d6ccd0afe421e6c4eed168533b93f2f2b927e378c1480b/pillars.01_Page_06.jpg" /&#62;

	
DESCRIPTION OF WORKS:

A series of up to five linked artworks within the Ouzel Valley Park adjacent to Oakgrove. The artworks are to be made from carved and shaped natural stone, and cast bronze and iron. The quality of the materials and finish will be very high. The artworks also offer places to sit, gather, and picnic, with plinths also acting as tables and benches. The sculptural objects will be robust and designed to be touched. The forms of the sculptures will reference the area’s archaeology and history, ecology and natural forms, and will contain detail within their textures of complex geometric structures.&#38;nbsp;

	



	
&#60;img width="1062" height="786" width_o="1062" height_o="786" data-src="https://freight.cargo.site/t/original/i/dba97152a8a735c1ecf3673e74e714ee22bc77c89b662b79e569c32745f04f59/pillars.01_Page_09.jpg" data-mid="213649467" border="0"  src="https://freight.cargo.site/w/1000/i/dba97152a8a735c1ecf3673e74e714ee22bc77c89b662b79e569c32745f04f59/pillars.01_Page_09.jpg" /&#62;
&#60;img width="3622" height="2329" width_o="3622" height_o="2329" data-src="https://freight.cargo.site/t/original/i/ea55f76a21cc157e1289f914d5ee979c667294c84a6246e653ba2f8186d3bd26/pillars.01_Page_14.jpg" data-mid="213649469" border="0"  src="https://freight.cargo.site/w/1000/i/ea55f76a21cc157e1289f914d5ee979c667294c84a6246e653ba2f8186d3bd26/pillars.01_Page_14.jpg" /&#62;
&#60;img width="3506" height="2046" width_o="3506" height_o="2046" data-src="https://freight.cargo.site/t/original/i/17e914aa1436fb6f53cc4380494c65971e819a5f8964518991f5009edde1c0d1/pillars.01_Page_20.jpg" data-mid="213649472" border="0"  src="https://freight.cargo.site/w/1000/i/17e914aa1436fb6f53cc4380494c65971e819a5f8964518991f5009edde1c0d1/pillars.01_Page_20.jpg" /&#62;



	
	

MATERIALS
The works will be made from a simple pallet of materials. There will be stone slabs, columns and flooring made from Basalt. The stone will in some places have its natural rusty brown outer colour left in place, other places it will be polished to a deep smooth finish. Cast elements made from bronze. In areas this will be left to age into a natural green patina, elsewhere it will be polished into a rich brown. Sculpted elements made from different coloured marbles. Yellows, pinks and greens.
	&#60;img width="1131" height="1600" width_o="1131" height_o="1600" data-src="https://freight.cargo.site/t/original/i/0dd86c0272bdbbfe538031d2a9ed5f194c96c17b8463d69e8322bc5383d46dbd/MK.planning.reseach---9.jpg" data-mid="213649461" border="0" data-scale="31" src="https://freight.cargo.site/w/1000/i/0dd86c0272bdbbfe538031d2a9ed5f194c96c17b8463d69e8322bc5383d46dbd/MK.planning.reseach---9.jpg" /&#62;&#60;img width="2048" height="1152" width_o="2048" height_o="1152" data-src="https://freight.cargo.site/t/original/i/4024e150ac0eb1dad5e004b0adbaaa7373f9fba1aa50e87b330fe343f16ed7c1/basalt-setts-1.jpg" data-mid="213649455" border="0"  src="https://freight.cargo.site/w/1000/i/4024e150ac0eb1dad5e004b0adbaaa7373f9fba1aa50e87b330fe343f16ed7c1/basalt-setts-1.jpg" /&#62;
&#60;img width="3472" height="2830" width_o="3472" height_o="2830" data-src="https://freight.cargo.site/t/original/i/17ba0c4d213bada04c7c4dde9a29463b2521979d4ef8c703ae74e066a8190559/MK.planning.reseach---5.jpg" data-mid="213649457" border="0"  src="https://freight.cargo.site/w/1000/i/17ba0c4d213bada04c7c4dde9a29463b2521979d4ef8c703ae74e066a8190559/MK.planning.reseach---5.jpg" /&#62;




	

 




	REFERENCE POINTS
The works bring together a few sources of inspiration: the simple slabs and circles of the work refer to the modernism present in the built environment of Milton Keynes and its history. The works also began with a close look at the archaeology of the site - to flat knapped stones and ancient timbers with holes in found around the site. The sculpted forms also look to the ecology of the place, enlarging microscopic slime mould forms into relatable and characterful objects. 


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&#60;img width="2398" height="3398" width_o="2398" height_o="3398" data-src="https://freight.cargo.site/t/original/i/72432a4bf0adcc81c0f1849a336069ed7c92d677863de5be5e7aba6d06aeff66/MK.planning.reseach---13.jpg" data-mid="213649464" border="0" data-scale="55" src="https://freight.cargo.site/w/1000/i/72432a4bf0adcc81c0f1849a336069ed7c92d677863de5be5e7aba6d06aeff66/MK.planning.reseach---13.jpg" /&#62;


	

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		<title>FOOTER</title>
				
		<link>https://peakmorison.org/FOOTER-1</link>

		<pubDate>Thu, 29 Sep 2022 18:00:45 +0000</pubDate>

		<dc:creator>HEATHER PEAK AND IVAN MORISON</dc:creator>

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		<description>
	The Oakgrove Public Art Commission is a commission by Milton Keynes City Council, working with The Parks Trust and Broughton and Milton Keynes Parish Council, funded from contributions through the planning process by the developers.
	Contact &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
You can make contact with the studio of Heather Peak and Ivan Morison here: studio@peakmorison.org
	
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		<title>HEATHER PEAK AND IVAN MORISON</title>
				
		<link>https://peakmorison.org/HEATHER-PEAK-AND-IVAN-MORISON</link>

		<pubDate>Fri, 11 Mar 2022 11:30:38 +0000</pubDate>

		<dc:creator>HEATHER PEAK AND IVAN MORISON</dc:creator>

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		<description>



HEATHER_IVAN
PEAK_MORISON





	
	
	
	


	
	SCULPTURAL_SPACE
	SOCIAL_SCULPTURE
	









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